"The main feature of all Japanese linked poetry is shifting: Shifting from place to place, action to action, mood to mood. There is no sustained narrative or setting as in most long poems of European tradition." (The Haiku Seasons by William J. Higginson, p. 46)
Renhai is based on principles of Japanese linked poetry including the shifting that William Higginson here speaks of. The concept of "theme" in Renhai, however, is intended to pull together a Renhai's verses and to create something that is more than a collection of three linked verses.
From "The Haiku Anthology" I became interested in Haiku and I have since written numerous haiku, senyru, and tanka. "Masago", my haiku pen-name, means "grain(s) of sand" in Japanese. I have recently started learning Esperanto and Japanese. A few years ago I developed a new eastern verse form which we now call 'Renhai'.